There are two female characters in the poem, the speaker and Mother Lee, and they both portray, through their actions and inactions, negative female stereotypes.
What is the nature of the relationship between the narrator, the fancy-man, and Jeering John? Why do you think the author chose to narrate the story from the perspective of the trampwoman rather than from that of another character or an objective commentator?
Holt, Rinehart, and Winston,the term "tragedy": Although the fancy-man is the murderer, the Trampwoman takes upon herself the guilt for the crime: Why, at the very opening, do the narrator and her fancy-man love "lone inns"?
How much does he permit us to know about Jeering Johnny, Mother Lee, and the fancy-man? Why does he deliberately avoid developing these characters? After the murder, Hardy passes quickly to the scene outside the walls of the jail: What effect do the place-names and descriptions of the Wessex landscape have on the atmosphere and tone of the poem?
Holt, Rinehart, and Winston, mentions the two types, the orally transmitted song "folk ballad" that economically tells a strong in a "dramatic, condensed, and impersonal" p. Abrams also mentions the "broadside ballad," an innovation of the sixteenth century which was printed on a single sheet of paper for sale on street corners and at country fairs throughout the British Isles.
Such poems consciously imitated the form of the folk ballad, but took as their subjects a contemporary issue or event, and were sung to well-known tunes. To what extent does the poem privilege the female and working-class experience of life over the masculine and middle-class perspective that has tended to dominate literature since the end of the eighteenth century?
Why has Hardy chosen this particular verse form to tell the story? In particular, why does the poem have thirteen parts? The second line of each stanza constitutes a refrain: What contradictory attitudes does the narrator express?
Generally speaking, a tragic hero is usually a member of the aristocracy; how has Hardy been able to transform a social outcast, a vagrant, a prostitute, and an alcoholic into a tragic figure?Thomas Hardy's wife and assistant-biographer in Thomas Hardy, The Later Years, (Macmillan, ) specifically refers to this poem as "a ballad." One might also regard "The Trampwoman's Tragedy" from a class and gender perspective.
To what extent does the poem privilege the female and working-class experience of life over the. The English author Thomas Hardy set all of his major novels in the south and southwest of England. He named the area "Wessex" after the medieval Anglo-Saxon kingdom that existed in this part of that country prior to the unification of England by nationwidesecretarial.comgh the places that appear in his novels actually exist, in many cases he gave the place a fictional name.
Thomas Hardy's 'A Trampwoman's Tragedy' and Lord Byron's 'When We Two Parted' Words Mar 29th, 5 Pages Lord Byron 's "When we two parted" and Thomas Hardy 's "A Trampwoman 's Tragedy" have in common a lover 's regret for love lost.
Related Resources. Mitsuharu Matsuoka's Hyper-Concordance allows word searches the complete texts of eighteen of Hardy's works; Be sure to see the discussions of individual poems on Bill Morgan's Illinois State University site.
Beginning in February , members of the Thomas Hardy Association have discussed one poem per month. Poetry Atlas - A Trampwoman's Tragedy by Thomas Hardy Read A Trampwoman's Tragedy and thousands of other famous poems about places.
From Wynyard's Gap the . In Thomas Hardy's "A Trampwoman's Tragedy," a woman travels with her lover, Mother Lee and "jeering John." Based on the title, it seems these are people that travel from town to town, looking for.